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Phantasmagorical Irony

There is something about fantastic literature that just lends itself to irony, especially when combined with lush prose and colourful imagery. When all three are combined it comes with a kind of structure all of its own. Difficult to sustain over a full novel, it is more common in short form, like the fiction of Clark Ashton Smith. When it makes it to novel length it carries its short fiction origins with it, like in Tanith Lee's series of utterly entrancing novels. Playing a kind of sleight of hand game with many small plots combining into a much longer work, side stories that dance into one another and emerge into a greater whole.

Of course sometimes the irony in a novel is used in a more traditional way, like in Edgar Rice Burroughs' Mars novels, or Michael Moorcock's Eternal Champion, where the ironic twist comes towards the end and acts to undermine the assumptions made earlier in the novel. Undermining the justifications that a group comes up with for making war; showing that obvious truths can be obscured by myths that become the perceived reality.

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